Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

11/28/11

Great Lovers #1





Paolo and Francesca
(13th century)

Francesca da Rimini was the daughter of the Lord of Ravenna, Guido da Polenta, in the second half of the 13th century. She was married off to Giovanni Malatesta, son of the Lord of Rimini to seal the peace between the two families. Because of Giovanni's deformity, Guido was affraid that Francesca would refuse him, so they deceived Francesca by arranging a proxy marriage with Giovanni's handsome brother, Paolo. She was unaware of this until the morning after, and then it was too late. Francesca and Paolo had fallen in love and soon became lovers. It all came to an abrupt end when Giovanni found them out, returnt secretly to Rimini and to Francesca's room. Paolo tried to escape but was caught by his jacket on a piece of metal in the trapdoor. Giovanni ran to kill him, with a rapier in his hand, but Francesca ran between them and caught the blade in her bosom.

The tale of Paolo and Francesca is mentioned in one of my favorite cantos of Dante's Divine Comedy. In Infero, Canto 5, The lovers are placed in the second circle of Dante's inferno, where lustful sinners are being punished.
According to the Divine Comedy, Paolo and Francesca had read the story of Lancelot and Guinevere, were seduced by it and then became lovers. Other famous lovers, like Dido (lover of Aeneas), Cleopatra (lover of Mark Antony and Julius Ceasar), Helen and Paris, Achilles (lover of Polyxena) and Tristan (lover of Isolde), are also mentioned in the same canto.


As soon as the gust curved them near to us,
I raised my voice to them, "O wind-worn sould,
Come speak to us if it is not forbidden."

Just as the doves when homing instinct calls them
To their sweet nest, on steadily lifted wings
Glide through the air, guided by their longing,

So those souls left the covey where Dido lies,
Moving toward us through the malignant air,
So strong was the loving-kindness in my cry.

"O, mortal man, gracious and tenderhearted,
Who through the somber air come to visit
The two of us who stained the earth with blood,

"If the king of the universe were our friend,
we would then pray to him to bring you peace,
Since you show pity for our wretched plight.


Gustave Doré: Paolo and Fransesca da Rimini (19th century)

Anselm Feuerbach: Paolo and Fracesca (19th century)

Gustave Doré: Paolo and Francesca (19th century)

Jean-Auguste-Dominique Ingres: Paolo and Francesca (1819)

Marie-Philippe Coupin de la Couperi: The Tragic Love of Francesca da Rimini (1812)

George Frederic Watts: Paolo and Francesca (1872-84)

Gustave Doré: Paolo Kissing Francesca (1890)

Gaetano Previati: Paolo and Francesca

Louis Rubio: Pablo and Francesca (19th century)

Alexandre Cabanel: The Death of Francesca da Rimini and Paolo Malatesta (1870)

Ary Scheffer: Fracesca da Rimini and Paolo Malatesta appraised by Dante and Vergil (1854)

William Dyce: Paolo and Francesca (19th century)

Sir Frank Dicksee: Paolo and Francesca (1894)

8/27/11

Inspiration #5


Sir Frank Dicksee

(1853-1928)
Sir Frank Dicksee is one of my favourite artists. He was a painter and an illustrator in late Victorian England, and has been associated with the Pre-Raphaelite Brotherhood. Even though he was not part of the brotherhood, his paintings share some characteristics of the Pre-Raphaelite paintings: intense and rich colors, complex composition and details, and like many of the Pre-Raphaelite painters, he recreated scenes from history, legends and literature in his painting. He also painted many stunning portraits of huntingly beautifull and fashionable women, women who are both sensual and angelic at the same time. He has also illustrated editions of Longfellow's Evangeline, Shakespeare's Othello and Shakespeare's Romeo & Juliet. I love the movement and fluidity of his painting, the passion and the emotions. Every little piece tells a story, and you can find new details to the story every time you take a look.
My favorite is La Belle Dame Sans Merci, a capture of a ballad by the ever so lovely John Keats, which also have been captured by several other artists (like John William Waterhouse and Frank Cadogan Cowper). Other pieces I love more than others are The Foolish Virgins, Startled, Chivalry, Paolo and Francesca, Two Crowns, Miranda, Oriental Pastime and A Portrait of a Lady. The light, details and colors are stunning!




Paintings from top to bottom:
1. Dawn (1897). 2. The Magic Crystal (1894). 3. Cleopatra. 4. Romeo & Juliet. 5. The Foolish Virgins (1883). 6. Startled (1892). 7. Portrait of Dora. 8. The End of the Quest (1921). 9. Portrait of the Artist's Niece, Dorothy (1917). 10. Camille, Daughter of Sutton Palmer (1914). 11. The Emblem. 12. Romeo & Juliet (1876). 13. Spring Maiden (1884). 14. Chivalry (1885). 15. Elsa (1927). 16. The Symbol (1881). 17. Mother (1907). 18. Two Crowns (1900). 19. Portrait of a Lady. 20. Miranda (1878). 21. Unknown. 22. Oriental Pastime. 23. The Mirror (1896). 24. The Duet. 25. Passion/Leila (1892). 26. La Belle Dame Sans Merci (1902). 27. An Offering (1898). 28. Crisis (1891). 29. Confession (1896). 30. Paolo and Francesca (1894)


(pictures from Art Renewal Center, ArtMagic and Illusions Gallery)





6/12/11

Inspiration #4

Horst P. Horst
He is one of the most long lasting fashion and portrait photographers in the industry, with a career spanning sixty years. He has been my favorite photographer for a while now. As you can see, I had a hard time choosing only some of my favorite pictures. Most of them are from horstphorst.com, while I can't remember where I found the rest.


Marlene Dietrich, 1942

Lisa with harp, 1939

Joan Crawford, 1938


Natasha Wilson, 1935

Mainbocher corset, 1939

Helen Bennett, 1939



Lisa Vogue, 1940



Ginger Rogers, 1936

Princess Natalie Paley, 1930s

Lisa Fonssagrives, 1939

Dovima 1960

Mrs Henry Middleton, 1949


Jack Holland and June Hart



Round the Clock 1, 1987

Mainbocker for Vogue, 1941

Edith Sitwell, 1948

Mainbocher dress, 1941

Lisa with money plant, 1939

Gene Tierney, 1940

Fur, pearls and diamonds, 1940

Eyes, hands and painting, 1936

Lisa Fonssagrives, 1951

Helen Bennett modeling in Seligmann Gallery, 1938

Gertrude Stein and Horst, 1946

Coco Chanel, Paris, 1937

Cartier's Diamants Mystérieux, 1934

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